Artist Info
Arturo den Hartog is a Surinamese-Dutch countertenor and prize- and audience award winner at the 2021 Princes Christina Concours. He is a versatile performer with a big love and affinity for Opera, Lied, Baroque, and Contemporary music.
Arturo started his solo singing at the age of eight in church in Suriname and was one of the first students of the Cathedral Choir School in Paramaribo. He then moved to the Netherlands where he studied at the Royal Conservatory of The Hague with Rita Dams, Catrin Wyn-Davies, Robin Blaze, Pascal Bertin, and Peter Kooij and subsequently at the Conservatorium van Amsterdam with Sasja Hunnego.
Recently, Arturo made his debut on the main stage of the Concertgebouw Amsterdam performing Dido and Aeneas and King Arthur by Purcell with Il Gardellino alongside Dame Sarah Connolly under the baton of Korneel Bernolet. Earlier, he got to make his solo recital debut in the recital hall of the Concertgebouw with pianist Daan Boertien which was followed by several return invitations with new programs. Additionally, Arturo made his opera debut at the Dutch National Opera and LOD Muziektheater Gent in the newly written opera ‘The Girl, the Hunter and the Wolf’ by Vasco Mendonça together with the Spectra ensemble led by Alphonse Cemin. He also performed in the recent operetta pasticcio of director Steef de Jong with the Doelen ensemble and had the pleasure of performing in the recent Dutch theatre tour of ‘Normality No More - Schubert’s Winterreise Revisited’ with the Ragazze Quartet and Conny Janssen Danst.
Other recent engagements include performances as soloist with Camerata RCO (members of Royal Concertgebouw Orchestra) in a complete Händel program, a solo baroque program with Il Combattimento Ensemble in the main hall of the Concertgebouw and with Ars Musica orchestra in the Concert Hall of Amare - The Hague in Michael Tippett’s ‘A Child of Our Time’. Next to these, Arturo performed with baroque ensemble La Sfera Armoniosa led by Mike Fentross and with the SEM Ensemble, led by Petr Kotik in De Singel in Antwerp. Arturo is also a returning performer in different contemporary operas with Muziektheater Transparant with which he performed at MusiktheaterTage Wien and RomaEuropa among others. He also toured through Suriname with the baroque ensemble Holland Baroque, played in multiple performances during the O. Festivals 2022, 2023, 2024 and 2025, the Batenburg Baroque Festival, the Koorbiënnale 2022 as soloist with S t a r g a z e ensemble and played main roles in two contemporary operas at the Opera Forward Festival in Amsterdam.
As an also already acclaimed lied singer, Arturo also frequently performs music by Black composers and composers from his homeland, Suriname. He has performed this music on tours of various festivals, at the Dutch National Opera in Amsterdam, to great acclaim on the television programme ‘Podium Witteman’, and at the Muziekgebouw aan ‘t IJ – where he is currently Artist-in-Residence for the third consecutive season. In that role, he researched the music and the impact of these Black and Surinamese composers and curated various programmes centred on their music.
Next to the performances there, Arturo is now looking forward to upcoming engagements that include both contemporary music, baroque music and opera with several world premières, a new concert series with the Ragazze Quartet, and making his debut on tour with Opera Zuid and PhilZuid.


Reviews
“Countertenor Arturo den Hartog's voice is one of wondrous beauty"
- Noord-Hollands Dagblad
“(…)Den Hartog demonstrated his great sense of elegant, flowing and expressive baroque singing”
-Place de l'Opera
"Den Hartog sang (…) with beautiful lines in his delivery. His voice is colourful and mild, beautifully shaped and nowhere sharp to the highest notes with soprano character"
- Place de l'Opera
Countertenor Arturo den Hartog's furry wolf mask and nimble stealth make him an intriguing character who is half-man, half-wolf. (The Girl, the Hunter & the Wolf - Dutch National Opera)
- Trouw
“… a truly thunderous applause erupted. Not only for Sarah Connolly, but also the soloists around her, the standout being the countertenor Arturo den Hartog for the robust singing in the role of Aeneas.”
- Place de l'Opera